Shared Risk
Nikki Finke is quickly replacing the NY Times for the worst reporting on Hollywood and is proving that blogs are ruining journalism in general, but Hollywood journalism probably more quickly than non-entertainment news (if there is such a thing anymore). (see http://www.imdb.com/news/sb/2007-08-16/#film1)
I totally get questioning the logic behind Jim Carey simply signing a back-end deal. Studios do work hard to hide their revenue, just ask Peter Jackson or Edward Norton. But journalists like Nikki want to have it both ways. They apparently want to ridicule Carey for thinking the studio will pay him anything on the back end, while also speculating that Tom Cruise made $500M on War of the Worlds. They can't have it both ways.
If TC did make $500M on WotW, how did he get paid? Did Paramount pay him $500M cash up front? No way…he was lucky if he got paid $20M up front. Over two-thirds of the $500M estimate comes from TC's collection on the world-wide backend. If the studios do such great bookkeeping that Carey will never see anything, how the heck did TC convince the studio to pay him hundreds of millions, especially when Spielberg was lining up for his backend take too?
I'm pretty sure TC didn't receive that much cash for WotW, or any movie. But I'm also sure he received something, otherwise his agents would be screaming like Peter Jackson's. So Carey's deal is a risky one for him, but it might be the deal that changes the studio picture's cost structure for a generation. If the movie succeeds and Carey makes millions, other stars could line up for this type of deal…and that's win-win for everyone involved, star, studio, and especially the movie-goer.
Stars demanding too much up front is killing the movie business. Studios have resorted to the tent-pole business model just so they can recoup their loses on films with A-list talent and therefore high front end costs that tank. If you can have Will Smith in a film and take $20M plus out of the production costs, you're gonna see a lot more movies being made.
If I had the time, I'd love to go through Poland's list of current stars and what they get paid up front, add all those costs up over the course of a calendar year, and I'm sure you'll find that studios pay hundreds and hundreds of millions on top talent alone. Imagine the movies that could be made if Hollywood had an extra $500M laying around to spend on movies.
I know that's a simplistic way of looking at things since accounting isn't quite that simple. But if stars would share the risk with studios, it would definitely free up funds for more studio films…and that would so sooo cool. I mean, money's so tight now, Rob Schneider hasn't been in a film for nearly two years!!
I totally get questioning the logic behind Jim Carey simply signing a back-end deal. Studios do work hard to hide their revenue, just ask Peter Jackson or Edward Norton. But journalists like Nikki want to have it both ways. They apparently want to ridicule Carey for thinking the studio will pay him anything on the back end, while also speculating that Tom Cruise made $500M on War of the Worlds. They can't have it both ways.
If TC did make $500M on WotW, how did he get paid? Did Paramount pay him $500M cash up front? No way…he was lucky if he got paid $20M up front. Over two-thirds of the $500M estimate comes from TC's collection on the world-wide backend. If the studios do such great bookkeeping that Carey will never see anything, how the heck did TC convince the studio to pay him hundreds of millions, especially when Spielberg was lining up for his backend take too?
I'm pretty sure TC didn't receive that much cash for WotW, or any movie. But I'm also sure he received something, otherwise his agents would be screaming like Peter Jackson's. So Carey's deal is a risky one for him, but it might be the deal that changes the studio picture's cost structure for a generation. If the movie succeeds and Carey makes millions, other stars could line up for this type of deal…and that's win-win for everyone involved, star, studio, and especially the movie-goer.
Stars demanding too much up front is killing the movie business. Studios have resorted to the tent-pole business model just so they can recoup their loses on films with A-list talent and therefore high front end costs that tank. If you can have Will Smith in a film and take $20M plus out of the production costs, you're gonna see a lot more movies being made.
If I had the time, I'd love to go through Poland's list of current stars and what they get paid up front, add all those costs up over the course of a calendar year, and I'm sure you'll find that studios pay hundreds and hundreds of millions on top talent alone. Imagine the movies that could be made if Hollywood had an extra $500M laying around to spend on movies.
I know that's a simplistic way of looking at things since accounting isn't quite that simple. But if stars would share the risk with studios, it would definitely free up funds for more studio films…and that would so sooo cool. I mean, money's so tight now, Rob Schneider hasn't been in a film for nearly two years!!
Labels: actors

